Brief
A short call. Audience, the one thing the film has to do, and an honest view of what the room will allow.
- Goals
- Run-of-show
- Budget
Meet the Good Ones Productions
More than you expected.
Films of live events. Congresses, trade fairs, anniversaries. Shot for the room, cut for the Monday after.
Berlin
A live room does not wait for a second take. We cover the day, then cut the film people actually send on. Highlights, interviews, booth films, same-day edits.
Berlinhome base, on the road when the event is
2005first short, screened at the Toronto Jewish Film Festival
110+short documentaries in the series, since 2021
24hturnaround when the brief asks for clips while the event is still open
What we do
Built for the paceof a live room.
One camera or a full crew. You keep one point of contact from the first call to the graded master. All services
01Event films & aftermovies
The day, in a film people actually finish. Highlights, recaps and the two minutes a team sends around on Monday.
↗02Conferences & keynotesMulti-day congresses and summits. Keynotes, panels, fireside chats and podcast-style conversations, lit and recorded where they happen.
↗03Trade fairs & boothsThe stand as a film: demos, conversations, the light, the crowd. A piece that still works after the hall is empty.
↗04Same-day editsOn-location editing when the next morning cannot wait. Finished clips while the event is still running.
↗05InterviewsSpeakers, guests and clients. Quiet light, a short briefing, and enough time that they sound like themselves.
↗06Brand & documentary storiesShort documentaries and campaign films. The series taught us how to find the person in the room. The client work is where that shows up.
↗07AnniversariesA company milestone told as a film the team will watch twice. Traffics’ twentieth year is the reference.
↗08PhotographyStills are not our main craft. When a job needs them, we bring photographers we have worked beside for years — one booking, one team.
↗Selected work
Rooms, thenthe film.
Congresses, booths, anniversaries, campaigns. Hover to preview. Click to play. Full index
How a job runs
Calm crew.
Calm crew.
Fast cuts.
The run-of-show will change while we are rolling. The process is built so you do not have to think about the camera.
Plan
Shot list, crew size, interview windows, formats and the day the files are due. One page, not a deck.
- Shot list
- Crew
- Interviews
Shoot
We arrive with camera, sound and light. We move between stages and stay out of the way of the people who are working.
- Cinema cameras
- Sound
- Light
Deliver
Same-day reels when the brief asks for them. Masters, cutdowns and subtitles in the days after — graded and mixed.
- Highlights
- 9:16
- Subtitles
The company
One nameon the call sheet.
Meet the Good Ones Productions is Guy Dimenstein’s practice. He directs, he edits, and he is who you write to. About
Guy Dimenstein
Director · editor
Israeli filmmaker, in Berlin since 2006. His short The Messiah played the Toronto Jewish Film Festival in 2005. In 2021 he started meet THE GOOD ONES and Good Things Productions.
Names from published workLogo files still to be cleared
Claims ConferenceKenes GroupWaves AudioAxel Springer / HYTrafficsOKFKore + FriendsCornelsenCylusSeeSawEndemoli24NEWSNICEScience Abroad
Web SummitLondon Tech WeekIFA BerlinDMEXCOInnoTransFruit LogisticaWeAreDevelopersATTDAD/PDESPGHANWSAVADay of Hope
Contact
Tell us thedate.
info@meetthegoodones.de
Write to Guy →
BasedBerlin
On the roadWherever the event is
ReplyWithin one working day