01
Event films & aftermovies
The day, in a film people actually finish. Highlights, recaps and the two minutes a team sends around on Monday.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
Services
What the day needs.
Event production. The documentary series is where the listening was learned. The job on this site is the film of the day.
02
Conferences & keynotes
Multi-day congresses and summits. Keynotes, panels, fireside chats and podcast-style conversations, lit and recorded where they happen.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
03
Trade fairs & booths
The stand as a film: demos, conversations, the light, the crowd. A piece that still works after the hall is empty.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
04
Same-day edits
On-location editing when the next morning cannot wait. Finished clips while the event is still running.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
05
Interviews
Speakers, guests and clients. Quiet light, a short briefing, and enough time that they sound like themselves.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
06
Brand & documentary stories
Short documentaries and campaign films. The series taught us how to find the person in the room. The client work is where that shows up.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
07
Anniversaries
A company milestone told as a film the team will watch twice. Traffics’ twentieth year is the reference.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
08
Photography
Stills are not our main craft. When a job needs them, we bring photographers we have worked beside for years — one booking, one team.
- One point of contact
- Camera, sound, light
- Masters and cutdowns
Questions we actually get
Before you write.
Berlin, since 2006. The work travels. Munich, London, Lisbon, Athens, Tel Aviv, and the German cities a congress lands in. If the event has an address, ask.
A standard film is ready in the days after the event. When the brief needs it, the edit happens on location and clips can turn around in about 24 hours, while the hall is still open.
No. The crew follows the room. A booth can be one camera. A multi-stage congress is more. RavenDB at WeAreDevelopers and the Waves shoots were small. ATTD and AD/PD were not.
Yes. Camera, sound, lighting and an edit setup. We do not arrive and ask to borrow a recorder.
It is not the centre of the practice. When a job needs stills, they come from photographers we already work with. You still have one point of contact.
Four to six weeks is enough to plan coverage properly. We have also joined events with only days of notice. Ask. We will say if the date is real.
German, English and Hebrew. The series is mostly English, with episodes in German and Hebrew.
The work page mixes client films (Claims Conference, Traffics, OKF, WashBall) with congress, booth and summit films from the same circle of jobs. Client names are taken from films already published. Permission to use the marks as logos is not confirmed.